Avani is a brilliant photo shoot by Arjun Kamath, that convey the story of a woman in a patriarchal society. Avani’s story can be the story of you and me as the struggles and setbacks that she faces are the common problems of India, a country which is still deep rooted in patriarchy.
Avani is a brilliant photo shoot by Arjun Kamath, that convey the story of a woman in a patriarchal society. Avani’s story can be the story of you and me as the struggles and setbacks that she faces are the common problems of India, a country which is still deep rooted in patriarchy.
Avani is a brilliant photo shoot by Arjun Kamath, that convey the story of a woman in a patriarchal society. Avani’s story can be the story of you and me as the struggles and setbacks that she faces are the common problems of India, a country which is still deep rooted in patriarchy.
Avani is a brilliant photo shoot by Arjun Kamath, that convey the story of a woman in a patriarchal society. Avani’s story can be the story of you and me as the struggles and setbacks that she faces are the common problems of India, a country which is still deep rooted in patriarchy.
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| ARTISTS & INSPIRATIONS
In a befitting tribute to one of India’s greatest painters, Raja Ravi Varma, a Chennai-based photographer G. Venket Ram has recreated 12 of Varma’s iconic paintings into photographs, in line with the theme of celebrating the spirit of Indian Womanhood.
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| MOON LIGHT BY BIJU IBRAHIM
It is estimated that India has more than 100,000 brick kilns producing about 250 billion bricks annually, employing about 15 million workers, and consuming about 35 million tons of coal annually, still following the age-old practice of making bricks using hands.
Fisherfolk in Kerala come from three different religious groups, Hindus, Muslims and Christians. Each of the groups has its own social organisation and mostly occupies separate places in a typical fishing village, although they do share some commonalties.
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| MOON LIGHT BY BIJU IBRAHIM
Moon Light is an exclusive video column by Biju Ibrahim, in which he shares a slice of his journeys and experiences as moving image anecdotes. Bhakti was shot in Tiruvannamalai, an ancient nature worship town situated in Tamil Nadu.
Found on the busy colorful streets of walled city of Jaipur, are two men who are proudly preserving three eras of photography with their 1860s Carl Zeiss camera, Surendra Kumar and his brother and Tikam Chand. The camera is a piece of history.
The story begun in the Blue City. It should be blue, but soon after the first words were born, rain drops wanted to wash them away and the Story had to be hidden under the umbrella with two women, who could not see her.
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| MATTANCHERRY & FORT COCHIN TALES
Peemakumari has been living alone for years in an old building in Mattancherry. A rickety building that has doors which are closed with old sacks. I saw her once sitting with a number of cats. The cats ran away seeing me, a few stood at a distance with caution.
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| ARTISTS & INSPIRATIONS
Parag’s meditative practice of achieving realism on canvas is often mistaken for photographs, his troubling paintings of faces and bare bodies design a carefully linked chain on the compelling ways that material, subject, and sensibility can align on canvas.
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